A short note about my setup

How I take my pictures

I do not use a huge amount of equipment, but i have over time learned to utilize my camera to the fullest. Also learning about color science and luminousity, contrast has really helped me with my editing.

I use a Fujifilm X-T30 for all my photographs. It is a small camera, which is useful when I am hiking or travelling, and it is the camera I know best.

My camera mounted on a star tracker and tripod for astrophotography, with a paper ring on the zoom lens to stop zoom creep from frost.
This is my astrophotography setup: the camera is mounted on a star tracker and tripod, and the little paper ring on the lens helps stop the zoom from changing because extra weight from frost can make the lens creep.

I am based in Trondheim, Norway. Which is really lucky because Norway is mountaineous and low populated. I travel to remote places in Norway to find spots with low lightpollution. When I am shooting, I am always looking for darker places because a cleaner, darker sky makes galaxies and nebulae stand out much much more clearly.

Innerdalen is exactly the kind of place I look for when I want to photograph the night sky: low light pollution, and yeah, very cool mountains are pluses in my book. A mountain plateu with a open view to the night sky is the best.

The lenses

My everyday lens is the 18-50mm kit lens. I use it for landscapes and for most situations where I want a fairly wide view.

I also have a Fujinon 55-200mm lens. I use this lens for wildlife, but I also use it for astrophotography. It is not the most optimal lens for astro, but it is what I have, and it can still produce images I am happy with.

Finding the deepsky target

Even with a star tracker, locating deep-sky objects was a real challenge at first. I rely on the Sky Guide app to map out the night sky, but early on, I couldn't just point and shoot. Instead, I had to master "star-hopping" using bright, easily visible anchor stars and constellations to carefully guide my camera toward the faint, invisible targets hidden beside them.

Tracking the stars

For most of my astrophotography I use a Sky-Watcher Star Adventurer GTi. It rotates precisely with the stars, which lets me take longer exposures without the stars becoming trails. This is especially useful with the 55-200mm lens, where small movements become very visible. Some of my earliest photographs are untracked, which meant i only had about 1 second exposurefor every frame! And needed usually over 1000 images of the object (lights) for a decent image. You can imagine how much time, effort, computation and storage it took with all thos frames, with a tracker i could take much longer exposure time and thus less images in total for a decent image. Still, in general the more exposure time, the better the resulting image

How I process astro images

I usually take many photographs of the same deepsky object, along with calibration frames: Darks, flats and biases (Look up an article on this if youre interested what these mean). I stack all of them in SIRIL software program. Stacking helps bring out faint details and reduces noise.

After Siril, I use Photoshop for stretching and star masking. This is where I bring out the faint structures in an image and make adjustments to different parts of it. The star masking process is done with starnet++, it essentially gives me the picture back without stars so that i can work on the details of the galaxy/nebulae without distorting stars.

A quick timelapse from my editing process: imported tif file from stacking into PS, stretching, using histogram to find correct color balance, and removing stars. This was of my first untracked image of andromeda, so my worklfow is slightly changed now

Landscapes and wildlife

My landscape and wildlife photographs are edited in Lightroom. I use it to adjust the light and colours, and to make the final image look closer to how I experienced the scene.

I started out in photography by taking pictures of wildlife. There is something really fascinating about capturing wild animals in motion, in their natural habitat, and I found it especially rewarding to work with my 55-200mm lens at full focal length and as low an aperture as possible to get that soft, creamy bokeh. I always try to respect the animals and never get too close, but as you can see from the image below, sometimes the animals come to me anyway :D

A squirrel standing on top of my camera while I am out photographing outside.
This cute squirrel jumped on my camera in 2022

That is basically the whole setup and process.

See the photographs
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